Ekphrasis (Frances Young Tang Teaching Museum)
Fiery, bunned hair burns into any soul that
looks at it
Beady eyes taken from a rodent
Bloody open mouths are ready to roar
During the roar, blood comes pouring out of the
mouth and covers the cheeks
Gigantic monkey ears are proportional to the
face attached
The recurring pattern in the faces is nauseating
Shift to the left, there’s one
Shift again to the left, there’s another
(yet) it is special from the others
A shimmering, golden earring immediately catches
the eye
Divided into sections, creating an intricate
design
A square center surrounded by bean shaped
ornaments
As the eye shifts downward, there is a
constrained body to the faces
The body’s arms are tied amongst each other,
incapable of any movement
The animal man screams and roars to be let loose
It is no use
It is time
The snakes from the underground cross over to
the light of the overworld
They move slowly toward the animal man, taunting
him
with the incessant hissing and flicking of their
slimy tongues
As they approach ground, a supernatural force
protects the animal man
Strong waves of air floods the plain to create a
barrier between him and the snakes
which cannot penetrate the barrier
the snakes are caught up in the waves,
thrashed around and blended in
There is hope for the animal man after all
Who is left to screech in his constraints,
for all to hear
Tang Museum, (3/15/19), Artist Unknown (Tibet), Ritual Dagger, circa 14th century
Comments
Post a Comment